Commie fansubs took their sweet time with the 15th episode of Persona 4. After finally getting around to watching the episode I can conclude that the reason for the delay is their computers repeatedly crashing during rendering due to the sheer amount of broswag. While the rest of the episode was pretty average and unremarkable, one scene in particular stood out and attained legendary status.

Narukami Yuu is arguably the most balla male protagonist this decade. In harem and harem-esque shows like this, I’ve always wondered why the male lead is usually such a wimp. Bakatest, Hayate no Gotoku, Fortune Arterial, Hoshizora e Kakaru Hashi, Infinite Stratos, just to name a few series. Sure they sometimes develop as characters and turn out to be strong individuals inside, but they never seem to realize straight off the bat that a bunch of chicks are all over him and that he’s got that swagger that makes the ladies swoon. Narukami Yuu is a male lead that’s achieved self-actualization, breaking the chains that bind him to the Matrix of mediocre male leads and becoming the One. (more…)

[5] Comments 

What did everyone miss last year?

I have heard from around the web that the Winter 2012 season is a fairly slow season for anime. While there are some quality shows, it seems people aren’t following as many compared to last season. Regardless of the reasons, this is not a bad time to catch up on backlogs. Of course, people will turn to triple-A titles that they missed like Madoka Magica, Steins;Gate, or Mawaru Penguindrum. However, there are always hidden gems that people tend to forget or just never found. Thus, I present my short list of Underrated Anime of 2011.

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[5] Comments 
Rank Anime Studio Episode Change
1 Nisemonogatari SHAFT 3
2 Danshi Koukousei no Nichijou Sunrise 2
3 Chihayafuru Madhouse 15
4 Natsume Yuujin-chou Shi Brains Base 3
5 Ano Natsu de Matteru J.C. Staff 2 2

On the cusp: Mirai Nikki, Thermae Romae, Mouretsu Uchuu Kaizoku, Another

Last week’s results, about the Anime Power Rankings

There was not much change this week from last week, except for Ano Natsu de Matteru replacing Persona 4. Nisemonogatari continues to lead the season in popularity and reputation. This week’s episode was especially charming. Finally, we’re doing with the character introductions and on to our first major plot point. The shining star of the most recent episode is Hitagi and Araragi’s relationship. The pair just has a great dynamic and complement each other really well. I could feel Hitagi lovers cheering as soon as the episode finished.

As last week, you should only care about School Boys and Nisemonogatari from this season. Together with Mirai Nikki (and Hunter x Hunter), they are the only shows that manage to get me excited. Everything else is just… bland. Not necessarily bad, but they do not have that strong appeal that basically every show from the last season had. Maybe Another will turn out to be good, as I am slightly curious about where it will go, but that is it. At least Crazy Boys rocks. Watch it already.

Marow (Anime Viking)

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[9] Comments 

One of the reasons I chose Aeroblip to join my staff was because he came to me with an initiative to start a podcast. I’ve played with the idea on Desu ex Machina, but I never had a good starting point. I’ve recorded something before, but I tossed it out and wrote a conventional post because I sound like a complete tool talking by myself. So, we got together earlier this week and went to work. It’s our first time doing something like this, so it’s not perfect in any way. I need to stop blowing in my mic, and I swear to God I will stop saying “you know” in the future. We’re still learning how to do this. :)

Without further ado, here are our thoughts on this season’s batch of new anime. Please leave some feedback if it’s not too much trouble!

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Index:
0:56 – Nisemonogatari
5:08 – Aquarion Evol
8:59 – Danshi Koukousei no Nichijou
11:57 – Kill Me Baby!
15:30 – Mouretsu Uchuu Kaizoku
19:35 – Ano Natsu de Matteru
21:30 – Papa no Iukoto wo Kikinasai!

 

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[7] Comments 

You may have noticed that this post was not done by kevo’. Well, that is because he decided to make some changes on his precious blog. Allow me to introduce myself. My name is Aeroblip (you can call me “Aero” for short), and I will be a contributing writer on Desu ex Machina. This may be shocking news to some of you, so I’m assuming you have some questions. Well, consider this post a preemptive strike.

Q: Can you tell us about yourself?
I am actually relatively new to the anime community. For the longest time, my exposure to anime was limited to whatever aired on Adult Swim. However, I stopped watching anime because I wanted to focus more on my studies (but mostly because I didn’t have a television). This hiatus lasted for over three years. It wasn’t until the Winter 2011 season that I learned about weekly-aired shows translated by fansubbers. It took another viewing season for me to learn about the anime blogging community. Even so, I didn’t make my presence known until Summer 2011.

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[11] Comments 
Rank Anime Studio Episode Change
1 Nisemonogatari SHAFT 2
2 Danshi Koukousei no Nichijou Sunrise 1 New
3 Chihayafuru Madhouse 14 1
4 Natsume Yuujin-chou Shi Brains Base 2 1
5 Persona 4: The Animation AIC ASTA 14 1

On the cusp: Mouretsu Uchuu Kaizoku, Ano Natsu de Matteru, Another, Tantei Opera Milky Holmes 2
Other premiers: Aquarion Evol (11th), Inu x Boku SS (20th)

Last week’s results, about the Anime Power Rankings

Hey everyone. I was travelling back from winter vacation all weekend, so I had no time to write this week’s Anime Power Rankings until today. Sorry it’s a day late!

The Anime Power Rankings constantly demonstrates to me how surprisingly good each season is. I wasn’t too pumped up about this season when I first saw previews, but they never do a good job of foreshadowing how a season turns out anyway. As expected, Nisemonogatari is carrying the team, but shows like Danshi Koukousei no Nichijou and Mouretsu Uchuu Kaizoku are surprisingly crowd-pleasing. More votes came in this week than ever before, and this week’s results were a lot closer than I thought they would be. I liked the new OP and much-anticipated ED of this week’s Nisemonogatari, and its formula of fanservice + dialogue is still working well. I’m eager to see how the “Karen Bee” story arc develops.

I was really startled by how good Danshi Koukousei no Nichijou turned out. I looked at the synopsis and thought to myself “no girls, do not want”, but the show is remarkably fresh and well-paced. It’s a true accomplishment of anime when I can be entertained without any fanservice whatsoever (outside of the crossdressing scene).

Dude Days. Nichibros. The Daily Lives of Highschool Boys [Danshi Koukousei no Nichijou]. Like a cross between Gintama and Azumanga, it will be the saviour of comedy anime. Through its clever satire, s’life anime will emerge reborn. Even its name derides the blatently straightforward titles of the likes of “Listen to me girls, I am your rapist”, mocking the very essense of the genre itself. Welcome to the dawn of a new era. 

Scamp (The Cart Driver)

While I wouldn’t quite call it a genre deconstruction quite yet, I have noticed that trend of anime titles getting more and more obnoxiously long. Chihayafuru, an anime whose title is of a more responsible length, is packed with as much hardcore kurata action as ever. (more…)

[9] Comments 

There is one reason I am watching Aquarion Evol, the long-awaited (I’m sure someone out there waited) continuation of Sousei no Aquarion: the music. There is not too much to like about Sousei no Aquarion (aka Genesis of Aquarion); the story and dialogue is a bit bland and it’s just really generic. It’s amusing, but for the wrong reason. It’s a damn shame because there’s tons of potential in its premise and setting, but the show fails to execute. The shining achievement of Sousei no Aquarion, however, was the soundtrack. Featuring my favorite anime composer Kanno Yoko at her very best, Sousei no Aquarion is arguably one of the best anime soundtracks of all time. It featured awesome instrumental scores and hit after hit performed by talented vocalist AKINO. When I saw that both were to return for Aquarion Evol, I knew I had to give this one a shot, too.

But alas, to fully experience the skill at which an anime soundtrack is created, I have to actually watch the anime. The first episode (a double feature) introduces us to our main characters. Amata is a kid with some confidence issues whose body takes flight uncontrollably. He stuffs weights in his boots to prevent him from randomly taking off (in the future, spontaneous flight is still seen as an oddity). He runs a movie theater and meets Mikono, who seems to be the only other person in the world to like Amata’s favorite movie. Teenage romantic comedy setup aside, Mikono is a cute young lady who seems capable of doing a whole lot of nothing. We’re making great progress!

This anime's writing!

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[4] Comments 
Rank Anime Studio Episode Change
1 Nisemonogatari SHAFT 1 n/a
2 Chihayafuru Madhouse 13 n/a
3 Mouretsu Uchuu Kaizoku Satelight 1 n/a
4 Senki Zesshou Symphogear Satelight 1 n/a
5 Natsume Yuujin-chou Shi Brains Base 1 n/a

On the cusp: Persona 4, Amagami SS+, Mobile Suit Gundam AGE, Tantei Opera Milky Holmes 2

About the Anime Power Rankings

The most obvious story this week is the premiere of the much-anticipated Nisemonogatari. With more Senjougahara fascination, Mayoi getting raped, meandering dialogue, and obscure pop-culture references, what’s not to love?

Nisemonogatari surely met its expectations. Clearly, the awesomeness of Bakemonogatari still deeply lingers. As anticipated, it delivered the most eyegasmic artwork of the season, poetic and humour-filled long dialogues, and the ever sensual Senjougahara fascination to strongly start its series. Aside from that, it has that very cool OP. I guess if there’s something I’m really hoping for Nisemonogatari is for Shaft to at least level or to better what they did on Bakemonogatari… plus perhaps letting go of that classic head tilt and styling a different pose would be really nice.

SnippetTee (Lemmas and Submodalities)

Chihayafuru makes a return to the top 5 in a week with significantly fewer shows. After all, next week the juggernaut Guilty Crown starts airing again (>.>). I’m expecting this show to compete well this season, especially when the individual tournament starts. (more…)

[10] Comments 

So one week into the new year, I started my first anime the this year’s brand new season: Kill Me Baby.

The first episode wasn’t half bad. I heard some people online talking crap about it, but it made me laugh a few times. The first scene is a little random. Yasuna sneaks up on Sonya to say hello on the way to school, and Sonya nonchalantly breaks Yasuna’s wrist. It does a decent job of getting us quickly acquainted with the core of the show — the tsukkomi and boke between our two main characters: Sonya, who is a skilled assassin, and Yasuna, who is a friendly and fun-loving airhead.

Kill Me Baby is based off a 4-koma manga, and it’s paced like that too. The first episode comprised of several “shorts” — miniature stories that have little to do with the other. Think Lucky Star, but even less structured. The animation is passable and the voice acting is silly and exaggerated, which I guess fits. There’s no soundtrack (in the sense of music during scenes), making the punchlines very dry, an effect that works pretty effectively.

I like Sonya, and not just because she is a blonde loli with twintails (though this is a significant reason). She’s cool and capable, but also a scaredy-cat who is a bit silly herself. The short involving the dog where Sonya stood on a desk shuddering is a good example. I found it quite humorous how a trained, deadly assassin has no idea what to do against a stray dog. 

A “ninja” character named Agiri is introduced later in the episode. I don’t think she’s as “sharp” a character as Sonya, but she’s interesting enough. I’d like to see what else she’s capable of besides scamming Yasuna, because she seems to just be acting weird or creepy the whole episode. It’s a 4-koma that’s about as random as they come, so who knows where the show will go from here? It’s definitely a little strange, but bring it on. At least for me, this season is off to a good start.

[2] Comments 

The last few months, I think I’ve been quite clear on my general opinion of Mawaru Penguindrum. I don’t just have issues with this anime, I have the whole goddamn subscription. Today I will “review” Penguindrum, but let me say this first: Mawaru Penguindrum is a fine show that I believe everyone should check out and see for themselves. Though the anime became especially frustrating and meaningless for me, I admit that it’s impossible for me to be objective about it. After all, there’s a reason that Mawaru Penguindrum has a legion of people gushing over it — it’s probably pretty good.

Mawaru Penguindrum is the story of brothers Takakura Kanba (cv. Kimura Subaru) and Shouma (cv. Kimura Ryohei) and their task of finding the mysterious “Penguindrum” to cure their chronically ill little sister Himari (cv. Arakawa Miho). At least that’s how the show began. You immediately get this feeling that this anime isn’t “normal”. From the strange visual aesthetics to the bizzare “seizon senryaku!” scenes to the developments in the plot itself, Penguindrum draws you in with its curious flair. There are plenty of abstract elements in the animation design, such as depicting background characters using generic symbols and transitioning between scenes with a subway motif. As the plot progresses, more characters are introduced and it’s revealed that the plot is infinitely deeper and more intricate than it seems. The show throws you curveballs and plot twists all the way until the end, making Penguindrum a rather addicting watch. It’s a great concept, and the general layout of the show holds water, but it’s the execution of Mawaru Penguindrum that I have problems with.

Mawaru Penguindrum is a show that seems to be in love with itself. Its pretentiousness and narcissism resound off the walls of the Grand Canyon and echo across the amber waves of grain. The plot is well paced and really intriguing at first, but around halfway through the show there are so many developments that I had trouble figuring out just what was going on. Fans of the series love the complexity and thematic elements in Penguindrum, and view the show as an entire entity. For me, I see Penguindrum as more of a Jekyll and Hyde act: a show that is smart and promising for the first half, but nearly unwatchable in the latter half. (more…)

[7] Comments 

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