Thu 13 May 2010
“The Death of Anime in America”? Good Riddance, I Say
Posted by kevo' under Editorials, Industry
[14] Comments
The American TV production and anime dubbing studio 4Kids Entertainment (NYSE: KDE) announced this week that the New York Stock Exchange, the world’s largest stock market by market capitalization, has begun preparations to remove the company from the index. The New York Stock exchange requires all companies that are listed to maintain $15 million in market capitalization. Since early March, 4Kids’ stock price has slipped 27%, and drops this week bought the price under $1.15 and slipped the market capitalization of the firm to $14.7 million.
According to quarterly reports, net revenues for the first three months of 2010 totaled $4.2 million, less than half of the $9.3 million for the first three months of last year. In 2006, net income dropped 75% from 2005. The company has not posted a profit since then, losing more and more money since 2007. In 2009 they lost $42 million.
This is just the most recent of a series of bullets in the chest for the American anime industry. Earlier in April, Bang Zoom! Entertainment CEO Eric P. Sherman announced that the company will probably cease operations by the end of the year if the industry didn’t look up. Excuse me, but a company doesn’t like the market conditions? It’s in the hands of companies to shape the market conditions, not to complain and give up.
It’s true that entertainment distribution models are going to be changing dramatically. DVD may be on the way out forever, and online TV is becoming a reality very quickly. But so far, there are no successful ways to monetize online entertainment. Not so that creators can afford to produce and distribute quality content. Anime is going to die.
Unless YOU change. Right now. Stop stealing. If you have committed theft, robbery, shop-lifting, or just “downloading some stuff through torrent reactor,” then just stop doing it — now. You probably wouldn’t go into a supermarket and put a package of swiss cheese under your shirt and walk out without paying. Nor would you walk into Best Buy and try to walk out with Guitar Hero, bypassing the cash register. Why? Is it because you might get caught? Or are there other issues, such as standards of morality, that dictate how you live your life.
The net, for all it’s charms, is also a dark and dangerous place. When you’re navigating it, you need to ask yourself this question: Is this right, just because it is so easy? You need to understand that quality entertainment costs a lot to create. And if there is no one paying for this content, it just won’t be made anymore. If no one bought tickets to a Lady Ga Ga show, she would not do the tour. That’s just how it works. For some reason, people don’t mind stealing their anime. I’m here to tell you flat out: This is wrong. You are doing something bad. And you need to stop it.
-Eric Sherman, CEO of Bang Zoom! Entertainment
Oh I’m sorry about that, man. God forbid that firms have to adapt to changing market conditions and apply corporate strategy once in a while. Did Nintendo just give up after the GameCube couldn’t generate enough sales compared to the other systems? Did they instead just whine and complain about how the only thing people want now are graphics instead of fun games, so they can’t play in this new market? No. They put on their competent management hats and looked for new ways to make money in the market. I’m not going to deny that the anime industry in the US is in a major pinch, but you are a CEO, Mr Sherman. Start acting like one.
Sherman acknowledges that DVD is going to die quickly and that entertainment distribution models are rapidly changing. But somehow he still has the gall to think that the hilariously awful business model that American anime fans had to suffer through the last 10 years could somehow still be profitable. Take a major, popular hit anime from Japan that you think will appeal to a majority of the population stateside, dub and sub the thing, totally ignore niche fans, and release an overpriced product a year later. Just pretend the long tail and Web 2.0 don’t exist, right? Would I buy anime DVDs just to have a physical anime collection to put in my room and maybe watch occasionally? Yes, I have some. Would most of the market do the same? No way. Is the industry somehow going to change consumer behavior? I don’t think so.
Fansubs are responsible almost solely for the mere existence of a demand for anime stateside. Who would have heard of all the different anime Bang Zoom! dubs (or what anime even is, for that matter) if they had not seen anime from the internet already? Yet the crucifixion of fansubs as a criminal act is the default complaint from an industry mismanaged to death.
Any college student who took a strategic management course can tell you some key success factors for Intellectual Property Licensing (IBIS industry number 53311 if you want to look it up). And my point is not to lecture Mr. Sherman about the basics of market competition, just like it is not his role to lecture me on stealing swiss cheese. I’m sure Mr. Sherman and his board have analyzed various options very carefully and I know that the industry, as well as digital distribution, is very complicated. The point I want to get though is that it is ridiculous to blame a firm’s failure on consumers. Does fansubbing call into a question of consumer ethics? Yes. Does it give a firms some kind of “excuse to fail” and the right to preach how we behave? No. If the majority of customers in a market are upset, they will always get their way. Economics dictates with with switching costs, scale, and substitution. Remember the DRM battle in the music industry? Major music stores are now DRM-free. And you can bank on it that if the industry continues to push this outdated, inefficient system of licensing and distribution that it will be driven into the ground.
What is there to do? The industry needs to change. Too long we have paid too much for too little, too late. But think for a while: what would happen if the American licensing industry just… died?
We would have fansubs and people will continue to watch whatever anime they please. Given, dubs would most likely disappear, but I still do not believe that so many people cannot read at a 5th grade level. But the key is that there is a demand. And there will be a continual demand for quality, be it 24 hour turnaround or dubs, or professional quality subs, that will create an opportunity for intrepid souls to make money using technology from the present day. Will it be you, Mr. Sherman? Sure it can. But if you want to give up then someone more qualified to be a CEO will come around with his own company and their own model to make money off of digital distribution or whatever way they figured out. Where there’s a will, there’s a way. In business there are winners and losers, that’s how the world works. If you want even a chance at winning, there’s no room for sitting back and complaining about the state of the industry. Some will win, some will lose, (some of them will sing the blues …sorry) but not doing anything to adapt is losing by default.
Getting delisted from the NYSE is a pretty big blow for any company. 4Kids will lose a vital way of raising capital, something that it desperately needs. Three straight years of losses (and another one coming up) most definitely spells doom for the company, and good riddance. You have slaughtered One Piece enough. Not even that godawful show deserves what 4Kids has done to it. I will probably guess that Bang Zoom! will hold true to its promise and cease operation by the end of the year. The anime industry in America looks bleak, but industries do not simply die like this. If there is demand, if people want to watch anime, something will come to replace the void. So download those fansubs, my fellow fans. We have an industry to take down.
I recommend Yumeka’s post on the same subject as great supplemental reading. My post on digital distribution is worth a gander, too.
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Thanks for the pingback! And excellent article, too. You know a lot more about business and marketing than I do (I have no head for that stuff ^^,,,) so I enjoyed reading your thoughts on Sherman’s article.
I think another poor marketing strategy that the American anime industry implements is not including all the extra goodies that the Japanese individual DVDs do – not just extras on the DVDs themselves, but things like postcards, pencil boards, or other products with the discs. Because there’s nothing special like this with the individual U.S. DVDs, fans would rather wait for the cheaper box set (something I always do). There’s no incentive to buy anything but box sets.
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Just to be clear, Sherman has confirmed in recent interviews that he was NOT talking about fansubs…in fact he referred to the relationship between the anime distribution industry and the fansub community as “harmonious” and praised the fact that most fansub groups respectfully halt distribution whenever series’ get licensed. No, Sherman was talking about people who actively pirate series’ that are already available for purchase, which is a perfectly valid point…I mean there is something called Netflix.
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Hm…if the anime industry died in America, I wonder if exposure to anime in youths of America would decrease. For example, Pokemon, Yugioh, and DBZ were great ways to get little kids introduced to anime. Although there is the internet now, I don’t think 5-8 year olds would find out about anime as easily as they could from TV…
Also, if there *is* a decrease, I assume people are less likely to pick up anime the later that they’re introduced to it. Which means an overall decrease in anime watching in America.
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It’s already been mentioned that Sherman was talking about DVD rips but before you jump too far ahead here, the death of the American industry would be disastrous for the industry back in Japan. If I’m not mistaken, only 1 in every few series are actually profitable. Without a foreign licenser picking up the series for international distribution, a lot more studios will follow in the path of Gonzo.
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My only regret at 4kids folding the way it did was not realizing that it was listed on the NYSE. Had I known this, I would have shorted the stock and be a far richer person today than I am now =p
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Conan needs to do another skit that embarrasses Bang Zoom! (well, except that he doesn’t have a show anymore).
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@Yumeka: Yeah, I never thought of that before! If I got a cool trinket or a toy when I buy box sets or DVDs, I’d be very happy. Not just anime, but movies too. I wonder why American studios don’t do it more. I guess we are satisfied with toys in our happy meals.
@Illconstruct: Granted, that is understandable. It’s good that Sherman understands the importance of fansubs in the industry, however it still bothers me that his view of the industry is so narrow and uncreative. We are in a time of change.
@philipawalker: Correct, we need anime on TV and I believe that will always be there. Kids like it and companies will always see an opportunity to make money and license to air it. If there is a demand for Pokemon or Yugioh or whatever is next, that demand will always be met in time.
@LB: According to this source, revenue of export anime around the world totals only about 20 billion yen. Now, that’s around 10% compared to the 207 billion generated domestically, but it’s hardly “devastating”, especially considering that something else (profit sharing digital distribution, perhaps) is around the corner. Of course, I would take that source cum grano salis as it’s not cited well, peer reviewed, or dated, but it’s still something to chew on.
@zzeroparticle: I’d hate to be the speculators that bought shares in the late autumn of 1999. If it weren’t for those two stock splits the price would have totally spiraled out of control, too, lol.
@dondon: Hey, he’s gonna be on TBS this fall >.>
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And this is why I’m sad so many people are finding pathetic excuses not to get a Crunchyroll account. Finally they are giving us what we want with near simultanious releases of current airing anime and yet people still whinge and pirate.
I don’t want the anime industry outside of Japan to die. I just want them to give me what I want
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Very well-written article. However, I’m still mostly optimistic about the direction the anime industry is going in the US.
FUNimation continues to be successful and constantly licenses new shows. Sentai Filmworks (formerly ADV) seems to finally be getting back on their feet with the announcement of their upcoming dubs in addition to new license announcements each month. Crunchyroll seems to be doing well also, according to recent reports on ANN.
We also have had two new companies enter the market recently: Aniplex and NIS America. We have yet to see how well they’re going to do, but I have faith in them. (BUY TORADORA!) =P
The companies that are failing are those that refused to adapt to a changing market or were just plain stupid. Media Blasters, for some reason, is still releasing DVD singles when almost everyone else has switched to 13-episode thinpaks. Bandai constantly delays their releases, has almost no PR presence, and does dumb things like release dub-only Blu-rays with 2.0 audio (Kurokami). I’m hoping the new Haruhi acquisitions help get them back on their feet though. As for 4kids… well, they’re 4kids.
While it may be possible for the anime industry to live on without foreign support, I for one wouldn’t want that. I personally prefer to have my anime in a physical form or at least a form that I can obtain legally (such as Crunchyroll). I like going to conventions and seeing the companies there and meeting dub voice actors (Speaking of – what would happen to conventions if the US anime industry failed?). Simply put, I want to see the US anime industry live on and, for the most part, am optimistic about it.
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@Scamp: Exactly. Crunchyroll is a great step forward and a huge opportunity for the industry and fans. The site and features will only get better and better as it gains economies of scale. More companies need to exploit this business model and make it more effective. The profit sharing model satisfies both fans and companies.
@Janai: I’m optimistic about the industry as well. As I’ve said, this industry is undergoing huge changes and when change happens like this, some companies are going down. I think anime’s best days still lie ahead, with internet and smartphones and all kinds of cool new ways of watching anime and new business models to watch shows legally opening up in the future.
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Ah, as Janai mentioned, I like having stuff in physical form too…for example, owning a DS and playing games on it rather than an emulator. Buying a manga rather than reading it online.
Somehow, having it in your hands is so much more…gratifying? Not sure how to describe it. Maybe I should start buying anime.
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Wow its really declining =/
like others said, i guesing its poor marketing, i dont usually buy stuff from america well except some mangas in which takes so long to release =.=
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The anime industry in America is going to die? This is perhaps one of the best news I’ve yet to hear this year. Bringing anime to the mass audience in America was one of the worst things to ever happen in this decade. Back in the past, when the only anime around was available on bootleg VHSs and were actually good shows, back in the days of Akira and other great shows, back in those days people who watch anime were not stigmatized for doing so. Those days, people who watched anime had good tastes.
Now look at today. Thanks to distributing companies, anime in America has taken on such a horrible social stereotype, for a good reason. White people who watch anime dress up in horrible pseudo-Harajuku style clothes and dye their hair and spout horribly pronounced Japanese phrases. Fat fangirls cosplay (god forbid) and anime cons are filled with the social garbage that comprises of the American anime audience these days. Anime has taken such a downhill turn thanks to these companies, and I’m damn glad that they’re slowly dying off. Maybe that’ll clear America of the teenage kids wearing Naruto headbands, or clear the bookstores of horrible mainstream series.
Now, enough of me complaining about how anime ruined it for everyone in America and let me begin talking about the industry itself.
People do not want to pay exorbitant fees for releases that are 4 years late. People do not want to watch horribly localized yellow fonts. Hell, a lot of us don’t even give a rat’s ass about shitty dubs as well. What we want are high definition properly subbed shows that release concurrently in Japan. That’s what fansubbers are doing, and it’s funny how superior a job fansubbers are doing compared to “professional” companies. We don’t want to stream crap, too. We don’t want to watch pixelized shit. We want high definition quality for our shows, and that can be achieved only in two ways: broadcasting the shows on TV, or by downloading. How good it would be to be able to watch shows airing in Japan right now on my 45 inch HDTV! Except the only legal method of watching anything airing right now is by watching tiny pixelized shitty streams. Unless professional distributing companies are capable of fulfilling these requests, they better suck it up and deal with this practice that will not change.
I’m also getting sick of distributing companies complaining that they aren’t earning any pocket change. Honestly, these companies are rolling in cash doing things that fansubbers do for free and better. Cut the crap about us not paying the creators for the series; buying DVDs isn’t going to do that anyway. The only money the Japanese companies get from overseas is the licensing fees, and that accounts for a MINUTE amount of revenue they earn internally. The Japanese company couldn’t give two shits about how anime is performing in America. I’d just like distributing companies to cut their bullshit about funding the creators because I’m not going to be able to do that either if I buy their shitty releases. I’m already doing my part by funding the industry by buying figs directly from Japan; you mad the money isn’t going into your filthy American pockets? Because like it or not, I’m not paying for your scheme.
In short, lots of people like me couldn’t care less if anime died in America, distributing companies are doing a pisspoor job that fansubbers do for free and better, and they ought to stop whining that people aren’t paying for their easyass job.
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LB, I’d like to add that you’re retarded. As the author posted, the foreign market accounts for a miniscule portion of the anime industry, and that includes countries where anime takes up a far greater deal than America, such as Taiwan. America’s role in the anime market is nothing.
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